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Set in medieval Paris, Victor Hugo’s powerful historical romance The Hunchback of Notre-Dame has resonated with succeeding generations ever since its publication in 1837. It tells the story of the beautiful gypsy Esmeralda, condemned as a witch by the tormented archdeacon Claude Frollo, who lusts after her. Quasimodo, the deformed bell ringer of Notre-Dame Cathedral, having fallen in love with the kindhearted Esmeralda, tries to save her by hiding her in the cathedral’s tower. When a crowd of Parisian peasants, misunderstanding Quasimodo’s motives, attacks the church in an attempt to liberate her, the story ends in tragedy.
Three hundred and forty–eight years, six months, and nineteen days ago
to–day, the Parisians awoke to the sound of all the bells in the triple
circuit of the city, the university, and the town ringing a full peal.
The sixth of January, 1482, is not, however, a day of which history has
preserved the memory. There was nothing notable in the event which
thus set the bells and the bourgeois of Paris in a ferment from early
morning. It was neither an assault by the Picards nor the Burgundians,
or a hunt led along in procession, nor a revolt of scholars in the town
of Laas, nor an entry of "our much dread lord, monsieur the king," nor
even a pretty hanging of male and female thieves by the courts of Paris.
either was it the arrival, so frequent in the fifteenth century, of
some plumed and bedizened embassy. It was barely two days since the last
cavalcade of that nature, that of the Flemish ambassadors charged with
concluding the marriage between the dauphin and Marguerite of Flanders,
had made its entry into Paris, to the great annoyance of M. le Cardinal
de Bourbon, who, for the sake of pleasing the king, had been obliged
to assume an amiable mien towards this whole rustic rabble of Flemish
burgomasters, and to regale them at his Hôtel de Bourbon, with a very
"pretty morality, allegorical satire, and farce," while a driving rain
drenched the magnificent tapestries at his door.
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