Far from the Madding Crowd by Thomas Hardy

Far from the Madding Crowd

subjects: Classic Fiction

Description

Far from the Madding Crowd was the first of Hardy’s novels to apply the name of Wessex to the landscape of south-west England, and the first to gain him widespread popularity as a novelist. When the beautiful and spirited Bathsheba Everdene inherits her own farm, she attracts three very different suitors; the seemingly commonplace man-of-the-soil Gabriel Oak, the dashing young soldier Francis Troy, and the respectable, middle-aged Farmer Boldwood. Her choice, and the tragedy it provokes, lie at the centre of Hardy’s ambivalent story.

Excerpt

When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.

His Christian name was Gabriel, and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section,—that is, he went to church, but yawned privately by the time the congregation reached the Nicene creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper–and–salt mixture.

Since he lived six times as many working–days as Sundays, Oak’s appearance in his old clothes was most peculiarly his own—the mental picture formed by his neighbours in imagining him being always dressed in that way. He wore a low–crowned felt hat, spread out at the base by tight jamming upon the head for security in high winds, and a coat like Dr. Johnson’s; his lower extremities being encased in ordinary leather leggings and boots emphatically large, affording to each foot a roomy apartment so constructed that any wearer might stand in a river all day long and know nothing of damp—their maker being a conscientious man who endeavoured to compensate for any weakness in his cut by unstinted dimension and solidity.