Henry James’ celebrated novel about a passionate New England suffragette, her displaced southern gentleman cousin, and a charismatic young woman whose loyalty they both wished to possess goes so directly to the heart of sexual politics that it speaks to us with a voice as fresh and as vital as when the book was first published in 1882. Majestic in its movement, rich and sympathetic in its ironies, The Bostonians is the work of a master psychologist at the top of his form.
“Olive will come down in about ten minutes; she told me to tell you that. About ten; that is exactly like Olive. Neither five nor fifteen, and yet not ten exactly, but either nine or eleven. She didn’t tell me to say she was glad to see you, because she doesn’t know whether she is or not, and she wouldn’t for the world expose herself to telling a fib. She is very honest, is Olive Chancellor; she is full of rectitude. Nobody tells fibs in Boston; I don’t know what to make of them all. Well, I am very glad to see you, at any rate.”
These words were spoken with much volubility by a fair, plump, smiling woman who entered a narrow drawing–room in which a visitor, kept waiting for a few moments, was already absorbed in a book. The gentleman had not even needed to sit down to become interested: apparently he had taken up the volume from a table as soon as he came in, and, standing there, after a single glance round the apartment, had lost himself in its pages. He threw it down at the approach of Mrs. Luna, laughed, shook hands with her, and said in answer to her last remark, “You imply that you do tell fibs. Perhaps that is one.”
“Oh no; there is nothing wonderful in my being glad to see you,” Mrs. Luna rejoined, “when I tell you that I have been three long weeks in this unprevaricating city.”