Hardy distrusted the application of nineteenth-century empiricism to history because he felt it marginalized important human elements. In The Trumpet Major, the tale of a woman courted by three competing suitors during the Napoleonic wars, he explores the subversive effects of ordinary human desire and conflicting loyalties on systematized versions of history.
478 pages, with a reading time of ~7.25 hours (119,500 words), and first published in 1880. This DRM-Free edition published by epubBooks, 2010.
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In the days of high–waisted and muslin–gowned women, when the vast amount of soldiering going on in the country was a cause of much trembling to the sex, there lived in a village near the Wessex coast two ladies of good report, though unfortunately of limited means. The elder was a Mrs. Martha Garland, a landscape–painter’s widow, and the other was her only daughter Anne.
Anne was fair, very fair, in a poetical sense; but in complexion she was of that particular tint between blonde and brunette which is inconveniently left without a name. Her eyes were honest and inquiring, her mouth cleanly cut and yet not classical, the middle point of her upper lip scarcely descending so far as it should have done by rights, so that at the merest pleasant thought, not to mention a smile, portions of two or three white teeth were uncovered whether she would or not. Some people said that this was very attractive. She was graceful and slender, and, though but little above five feet in height, could draw herself up to look tall. In her manner, in her comings and goings, in her ‘I’ll do this,’ or ‘I’ll do that,’ she combined dignity with sweetness as no other girl could do; and any impressionable stranger youths who passed by were led to yearn for a windfall of speech from her, and to see at the same time that they would not get it. In short, beneath all that was charming and simple in this young woman there lurked a real firmness, unperceived at first, as the speck of colour lurks unperceived in the heart of the palest parsley flower.
She wore a white handkerchief to cover her white neck, and a cap on her head with a pink ribbon round it, tied in a bow at the front. She had a great variety of these cap–ribbons, the young men being fond of sending them to her as presents until they fell definitely in love with a special sweetheart elsewhere, when they left off doing so. Between the border of her cap and her forehead were ranged a row of round brown curls, like swallows’ nests under eaves.